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Sketching outdoors is the foundation of Kondos’ landscape paintings. Everywhere he goes, his sketchbook is his trusted companion. And the studio adjacent to his home is always jammed with small pastel, pencil, and pen-and-ink sketches done on his painting trips. “Drawing is the skeleton under the flesh of a painting,” he says. “It is where art begins. Drawing helps me to understand the landscape better, and it doesn’t allow me the luxury of covering up problems in the composition with color.”
His palette is simple, without a complicated tonal scale, and the colors are high-pitched. Blue, especially cerulean blue-suggestive of air and water-often permeates his canvases.